BIG BOSS – 3 – TILL 17.10.09

BIG-BOSS-3 ON THE ANCHOR:

  • BIG BOSS – 1 – ARSHAD WARSI WAS COMICAL
  • BIG BOSS  -  2 – SHILPA SHETTY WAS GRACEFUL
  • BIG BOSS  -  3  – AMITAV BACHAN IS VERBOSE

ON THE PARTICIPANTS:

  • WE FEEL THE PRESENCE OF BINDU, KAMAL, RAJU, TANAJ, CLAUDIA AND ROHIT, OTHER PARTICIPANTS ARE JUST PASSABLE AND OFF-THE-TRACK. POONAM, ADITI AND SAMITA SEEM TO HAVE COME FOR THEIR MUCH-NEEDED REST.
  • BINDU IS THE ONLY VITAL SOURCE OF ATTRACTION AND BIG BOSS – 3 SEEMS TO BE GOING THE WAY BIG BOSS – 2 WAS GOING AS IN THE LATTER WE ONLY WAITED TO FIND RAHUL MAHAJAN ENTERTAINING.

ON THE STRATEGY ADOPTED BY PARTICIPANTS:

  • BINDU IS THE BIGGEST SUCCESS WITH HIS WELL-MANNERED MOTION
  • KAMAL IS IRRITATING;STILL IN THE LIME-LIGHT
  • RAJU WHO WAS ENTERTAINING IN THE FIRST WEEK SEEMS TO BE LOOSING HIS STEAM TOWARDS THE FAG END OF THE SECOND WEEK.
  • FEMALE PARTICIPANTS ARE NOT DOING MUCH EXCEPT SOME OF THEM BEING GLAMOROUS AT TIMES.
  • THEY SEEM TO BE BECOMING CLUELESS TO THEIR ACTIVITIES.
  • THEIR NUMBER IS SO BIG AS TO TOPPLE THEIR MALE RIVALS, BUT THEY ONLY MAKE A MOLE OUT OF THE SANDY HILL BY MAKING TRIVIAL MATTER AS FOOD SHARING AS THEIR MAIN ISSUE AND QUARREL OVER MATTERS OF ZERO SIGNIFICANCE.
  • WE AGREE WITH BINDU THAT FEMALE PARTICIPANTS ARE NOW NINE IN NUMBER BECAUSE THEY INCLUDE WITHIN THEIR GROUP ROHIT AND BAKHTIAR ALSO. WHILE ROHIT IS IN THE ROLE OF A SPY BY STAYING WITH THE MALE GROUP AND SHARING THE SECRETS WITH THE FEMALE GROUP, BAKHTIAR HAS NO ORIGINALITY AND ALL THE SECRETS OF THE MALE GROUP ARE PASSED ON BY HIM TO THE FEMALE GROUP THROUGH TANAJ.

GENERAL COMMENTS:

  • I AM AT A LOSS TO UNDERSTAND THE KEY REASON BEHIND WEAKENING OF THE MALE GROUP WHICH IS LIKELY TO SUFFER MORE FOR THE LACK OF BALANCING POWER.
  • AMITAV BACHAN HAS ONLY SUCCEDED SO FAR IN MAINTAINING HIS DIGNITY AND COMPOSURE WITHOUT MINGLING HIMSELF WITH THE PARTICIPANTS.
  • BUT THE BIGGEST BOREDOM OF BIG BOSS – 3 IS ITS LACK OF CONCERN FOR THE VIEWERS BY MOVING AWAY FROM ITS BASICS TO FILM REVIEW AND FILM-PROMOTION THROUGH FILM REVIEWS BY STARS THEMSELVES WHICH WE SEE AND READ OUTSIDE WITH MORE DETAILS AND AUTHENTICITY BY FILM CRITICS.

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